A começar pelo meu orientador Prof. Entre os entrevistados, uma pessoa especial deve ser ressaltada. Ernesto Piana que, em sua entrevista, teceu pontos ligando a História, a Geografia e os sentimentos das pessoas da província da Terra do Fogo. Como ele mesmo diz Cuenta usted con un nuevo amigo y yo con una nueva amiga. The dissertation focuses on interviews with people born in Ushuaia, with migrants from other regions of Argentina and immigrants. The purpose of the interviews was to understand the reasons for the wave of people into the city and the existing relations between the old prison, the phenomenon of economic promotion, tourism and the place idealized as the place of enrichment. The main points raised in order to understand the phenomenon occurred are if Ushuaia can really be considered a Fantasy Island, which is the profile of people who migrated to Ushuaia and with what interests and aspirations. The result of the interviews gives an answer to the questions regarding the real motives which led and still lead people to relocate there and validates the hypothesis raised by the literature review.

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The screen is a dim page spread before us, white and silent. The film has broken, or a projector bulb has burned out. My motives were both pluralistic and populist: a desire both to respect fiction and non-fiction as equal creative partners and to insist that the book was about more than just myself and my own life. Because my book was largely about the creative roles played by the fictions of cinema on the non-fictions of personal lives, the anti-elitist nature of cinema played a crucial part in these transactions. Moreover, as a right-wing cinematic touchstone, Blood Alley is dialectically complemented in the same story by Tim and his friends categorizing their rebellious schoolboy pranks as Operation Spartacus, inspired by the left-wing Spartacus of Kirk Douglas, Dalton Trumbo, and Stanley Kubrick. This explains why his novels set in midth century, such as the two just cited, when cinema was still a common currency cutting across classes, age groups, and diverse levels of education, tend to have the greatest number of movie references. Army bases during World War 2 no less than twenty-seven timesalong with various comic books. Unlike, say, Vinelandwhere cinema figures mostly in terms of imaginary TV reruns e.

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